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National Museums Liverpool

The National Museum Liverpool's museums and art galleries are free to visit and open from 10am to 5pm from Tuesday to Sunday.

国家博物馆 利物浦

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Indian Museum Kolkata National Museum of India

The Indian Museum was established in 1814 in the birthplace of the Asiatic Society of Bengal (now the Asiatic Society Building, 1 Park Street, Kolkata), and is the earliest and largest multifunctional museum in the Indian subcontinent and even the Asia Pacific region. After the establishment of the Indian Museum in 1814, the museum movement was launched in India and gained new impetus and tremendous momentum in the following years. Since then, the museum movement has developed rapidly, with over 400 museums currently established in India. This movement, which began in 1814, actually ushered in an important era, opening up India's social, cultural, and scientific achievements. It is also seen as the beginning of modernity and the end of the medieval era. The origin and development history of Indian museums is one of the major events in the development history of Indian cultural heritage. The Indian Museum was established in 1814 in the birthplace of the Asiatic Society of Bengal (now the Asiatic Society Building, 1 Park Street, Kolkata), and is the earliest and largest multifunctional museum in the Indian subcontinent and even the Asia Pacific region. This movement, which began in 1814, was actually the beginning of an important era, ushering in the country's social, cultural, and scientific achievements. It is considered the beginning of modernization and the end of the medieval era. After the establishment of the Indian Museum in 1814, the museum movement began to rise in India and gained new momentum and momentum in the following years. Since then, the museum movement has developed so brilliantly that over 400 museums have been established in India. To understand the history of the origin and development of Indian museums, we should go back to the last 25 years of the 18th century when Sir William Jones, a learned scholar dedicated to serving India, founded the Asian Society in Kolkata in 1784. The role of the Asian Society is to establish a learning center, develop arts and culture related to social and cultural activities, entertain the public, disseminate knowledge, and preserve human cultural and natural heritage for future generations within the geographical scope of Asia. However, Sir William Jones, the founder of the Asian Society, did not mention in his inaugural speech that establishing a museum was part of the society's activities. In 1796, members of the Asian Society envisioned the establishment of a museum in an appropriate location to receive and preserve man-made or naturally occurring objects. This idea took shape in early 1808, when society discovered its ability to occupy land allocated by the government and build it at the corner of Park Street. Six years later, the intention to establish a museum received practical and feasible efforts. Danish botanist Dr. Nathanial Wallich was arrested during the Siege of Seranpur in Hooghly, but was released by the government due to his scientific achievements. He wrote a letter to the association, strongly advocating for the establishment of a museum and suggesting that the association not only serve as the honorary director of the proposed museum, but also provide replicas of his own precious collections. The proposal was warmly welcomed by the members of the association and it was decided to establish an association museum within the Bangladesh Asian Society. Therefore, under the guidance of Dr. Nathanial Wallich, the Asian Society established a museum on February 2, 1814. He was appointed as the Honorary Director of the Oriental Museum of the Asian Society. Various interesting and rare items have been collected from all over the country. In 1816, 27 European donors donated 174 items. Personal collectors include Colonel Stuart, Dr. Tetler, General McKenzie, Mr. Brian Hodgson, and Captain Giron. Indian donors have started donating items to museums. There are 49 donors on the list, including 6 Baboo Ram Comul Sen, Kali Kissen Bahadoor, Moharaja Radhacant Deb, Mathuranath Mullick, Sivachandra Doss, and Begam Sambroo. In 1837, James Princip, the secretary of the association, wrote to the government requesting the adoption of the association's proposal to establish a national museum funded by the state. Dr. Helfer and other scientific officials have decided to establish an economic geological museum in Kolkata; This museum was actually opened in 1840. The Economic Geological Museum, built in this way, occupied the site of the society until 1856, when some of the collections owned by the Indian government were removed and placed at 1 Hastings Street, in connection with the Geological Survey of India. In 1856, members of the association decided to submit a memorandum to the Indian government requesting the establishment of a Royal Museum in Kolkata. Two years later, the association submitted a proposal to the Indian government urging the establishment of a royal museum in Kolkata. The Indian government recognizes its responsibility to establish royal museums in major cities for collecting and displaying specimens of natural history, physics, economics, and history. In 1858, the Geological Museum merged with the Geological Survey of India. In 1862, the Indian government announced the establishment of a public museum in Kolkata and considered putting it into practice. The negotiations between the Indian government and the Asian Society continued until mid-1865, and ultimately decided that the Asian Society would hand over the proposed museum of zoological, geological, and archaeological collections to the board of directors, while the Indian government would provide suitable accommodation for the Asian Society in the museum building. Later, people realized that according to the plan, the building could no longer provide space for the Asian Society, the Indian Geological Survey, and the Natural History Museum. Therefore, the society also expressed unwillingness to enter a building that could not accommodate enough space and was easily restricted in terms of freedom of movement. In 1867, the current site of the Indian Museum was laid in the most beautiful area of Chowringhee, opposite the small court. In 1875, the current museum building on Chowringhee, designed by WL Grandville, was completed. From 1814 to 1878, the museum was located at the Asian Society on Park Street in Kolkata. After the completion of the new building on Chowringhee Road, the Society Museum was relocated from the Asian Society to its current location and opened to the public on April 1, 1878, with two exhibition halls. The archaeological exhibition hall and bird exhibition hall of the Department of Zoology have been announced to be open to the public at their current location. Although the Indian Museum initially had only two galleries, it was later transformed into a multifunctional institution with six sections (art, archaeology, anthropology, zoology, geology, and botany) showcasing interdisciplinary exhibits. The museum was initially known as the "Asian Society Museum", later as the "Imperial Museum", and later as the "Indian Museum". The more familiar names for tourists are Jadughar or Ajabghar. Since its establishment, the Asian Museum has been serving the Indian people as a microcosm of Indian art and culture. The role of Indian museums witnesses the social and cultural harmony between museums and society. Nowadays, the museum has developed into the largest institution of its kind in India, showcasing India's national heritage and pride, and is hailed as one of the pioneering national institutions in the Constitution of the Republic of India. The Museum Council has three main cultural departments, namely art, archaeology, and anthropology, as well as eight coordinating service departments, such as conservation, publishing, photography, exhibition, modeling, education, library, and security. The museum has its own medical department that provides initial medical services to all staff members of the organization. The administrative management of the cultural sector (i.e. art, archaeology, and anthropology) and other coordinating units/departments is the responsibility of the board of directors under the Office of the Indian Museums Council.

Tag: museum

Reading: 2 2024-12-10

Cottbus - Cottbus

Cottbus is the second largest city in the state of Brandenburg, Germany. Here is a detailed introduction about it: Basic Overview Location: Located on the Spree River approximately 125 kilometers southeast of Berlin, adjacent to Poland Area and Population: The area is 165.62 square kilometers, and as of December 31, 2022, there were 99515 residents Name Origin * *: Its name originates from the Sob language, either from "kopsebus", meaning "crossing point to the river", or from the Slavic name "choti bud" Historical evolution Founded in the 10th century, the Sob people built a castle on a sandy island on the Spree River, which was first mentioned in 1156 German settlers came here in the 13th century and later lived together with the Soebs In 1462, the Elector of Brandenburg acquired Cottbus Before the reunification of Germany from 1949 to 1990, it belonged to East Germany economic development As an important industrial city, it is a brown coal production area and power base, with industries including coking, machinery manufacturing, chemistry, textiles, glass, etc Agriculture mainly grows rye, wheat, potatoes, sugar beets, feed, etc. Horticulture is relatively developed, animal husbandry mainly focuses on raising cows and pigs, and fish farming in ponds is quite prosperous Cultural Education Culture * *: It is the cultural center of the Lower Lusatian ethnic minority. Many signs in the city are bilingual, and there is also a Lower Lusatian style senior high school. A film festival is held every year, and there are various theaters, museums, and art galleries in the city Education is the location of Brandenburg University of Technology (BTU) Tourist attractions The National Theatre on Schillerplatz is the only multi genre theatre in Brandenburg and also the most beautiful Art Nouveau theatre Branitz Park: An English style garden landscape park covering over 600 hectares, featuring elegantly arranged lakes, waterways, carefully designed forests, and two unique pyramids Spreberg Tower: Located at the southern end of Spreberg Street in the old town of Cottbus, it is a front defense tower with a 28 meter high observation deck that offers a panoramic view of Cottbus city and surrounding areas Sports related Owns Cottbus Football Club, formerly known as Energy Cottbus Sports Club founded in 1963

Tag: Cottbus

Reading: 6 2024-12-08

BnF National Library of France

History of the National Library of France, first the Royal Library, then the National Library and the National Library, the National Library of France (BnF), since 1994 called the National Library of France, today the National Library of the French Republic. It inherits the royal collections built up since the late Middle Ages and is one of the oldest cultural institutions in France. “The mission of the BnF is to collect, catalogue, preserve, enrich and disseminate the national documentary heritage. The BnF ensures that the collections are accessible to as many people as possible, both on-site and remotely, and develops national and international collaborations. » Libraries of Kings and Scholars In 1368, Charles V housed his collection in a specially designed room in the Louvre: about ten years later, it contained more than 900 volumes. This was the beginning of a tradition that the kings of France were keen to maintain. Francois I on 28 December 1537 On 16th, a decree was issued that introduced a new principle. He ordered printers and booksellers to deposit any printed books sold in the kingdom in their bookshops at the Château de Blois. This obligation, called legal deposit, was a fundamental step for the Royal Library. It was brought back to Paris in the second half of the 16th century and survived the Wars of Religion, but not without damage. In 1666, the library experienced a real development under the leadership of Colbert, whose ambition was to make it an instrument of glory for Louis XIV. He established it in the Vivienne Quarter and led an aggressive policy of increasing the collection, doubling the number of manuscripts and quadrupling the number of printed books. Open to the public In just a few decades, the library occupied the first position in Europe. In 1719, Abbot Bignon Appointed librarian by the king, he brought the library to an unprecedented splendor. He divided it into several sections: engravings, manuscripts, medals and engraved stones, engravings, and collections of prints, titles and genealogies. He also continued the work of his predecessors in the acquisition of documents, and was very keen to include all the important works of European scholarship. Abbot Bignon also worked to facilitate access to the library for scholars and the simply curious. At the end of the 18th century, nearly a hundred people visited the library's reading room every day. Borrowing records show that encyclopedists including Voltaire and Rousseau often visited there. Revolutionary Turmoil The French Revolution had a profound impact on the library. Legal deposit was removed in July 1790 and selectively restored three years later under the Copyright Act of July 19, 1793 (until 1810). 1860). However, the King's Library, which had become the National Library, greatly increased its funds during this period, thanks to the arrival of hundreds of thousands of confiscated or seized documents. The property of the clergy, distributed between museums and libraries and the libraries of emigrants or of Louis XVI, Marie Antoinette and Madame Elisabeth, enriched the national collection. The library also benefited from the seizures of Napoleon's troops in Belgium, Germany, the Netherlands and Italy. This is evidenced, for example, by the letters of Father Le Brun, librarian of the army, who was in charge of scientific and artistic searches in the northern countries with a group of scholars: We made a great discovery in Cologne. Twenty-five boxes of books... That's what the ancient town of Ubiens offered to the Republic. Modernization efforts in the 19th century The problem of insufficient library space was made worse by the large number of documents that entered as a result of the revolutionary confiscations. The first half of the 19th century was a long period of trial and error in this regard. In 1858, a commission headed by Prosper Mérimée prepared a report on the reform of the organization of the Imperial Library. Napoleon III partially adopted his conclusions, commissioning the architect Henri Labrouste to rebuild parts of the building on site. His name is especially associated with the construction of the Print Reading Room (1868), in which the use of cast iron triumphed. This renaissance was continued by the medievalist Léopold Delisle, who was appointed General Administrator in 1874. He initiated the production of the General Catalogue of Printed Books, the first volume of which was published in 1897 and the last (for works entered before 1960) in 1981. . Throughout the second half of the century, a series of exceptional donations were added to the fund: the Duke of Rouen’s collection of antique vases and coins in 1862, the collections of Bourges (1854) and Henning (1863), and even the manuscripts of Victor Hugo. Expanding Collections and Growing Audience In the 20th century, the library continued to expand, with the number of reading rooms increasing from 6 between 1930 and 1964 to 11. In parallel, three annexes were built in Versailles in 1934, 1954 and 1971, one in Sablé in 1980 and another in Provence in 1981. However, these extensions were not enough to solve the storage problem due to the explosive growth of print production. The growing number of collections and the arrival of new media, especially audiovisual, brought increasingly acute conservation problems. The places available for readers were already insufficient. Despite the modernization and computerization efforts made by the institution in the 1980s, it was difficult to adapt to the new conditions of print production and reading needs. The birth of the National Bank of France Faced with the difficulties brought about by the growth of print production and the growth of cultural needs, the National Library had to change. In this context, scientific and technological developments opened up new perspectives for the fulfillment of its mission, both in the field of conservation and in the field of document acquisition. Advances in IT tools and telecommunications are renewing the means of collection management and their identification. Combined with the digitization of texts and images, they enrich research and reading practices and open up the possibility of remote consultation of documents. On July 14, 1988, in a traditional television interview in the Parc des Champs-Elysées, the President of the Republic, François Mitterrand, announced the "construction and development of the largest and most modern library in the world": This large library must cover all areas of knowledge, be open to everyone, use the most modern data transmission technologies, enable remote consultations and establish relations with other European libraries. The site finally chosen for its construction is on the banks of the Seine in the 13th arrondissement of Paris. In August 1989, the project designed by the architect Dominique Perrault was chosen by the President of the Republic after a project selection process by an international jury. The then Minister of Culture, Jack Lang, announced that all the printed works of the National Library, that is, ten million books, would be transferred there. On December 20, 1996, the Research Library at the François Mitterrand site was opened, and on October 8, 1998, the opening of the Research Library marked the completion of this major project.

Tag: library

Reading: 23 2024-11-17

American Writers Museum -Interactive Museum of Chicago, Illinois

American Writers Museum is a museum located in Chicago, focusing on showing the history and development of American literature.The museum's exhibits include works in various fields such as novels, poetry, script, lyrics, press releases, and even advertising. The total area of ​​the museum exceeds 1,000 square meters, with 6 permanent exhibition halls and 2 facing halls.Unlike traditional museums, cultural relics are not displayed here, but the interactive device is used as the core to guide visitors to explore the life experience and creative ideas of the writers, and personally experience the charm of literature. The museum's exhibits include the interactive device of the "Stead Family Foundation Writer" exhibition hall, so that visitors can understand which American writers have lived and write in their hometown; "John & Cathie Estey: The Country of the Writers" exhibition halls, there are 4 common exhibition halls,Through the 18 -meter "Voice of the United States" exhibition wall, 100 representative writers were listed, showing the history of development of American literature;Essence In addition, the "Writer's Thinking" exhibition hall is based on how the writer creates works as the theme. It has 4 interactive devices to show the writers' thinking and writing skills. Visitors can understand the writer's creative process and stimulate their creative inspiration.The "Negaunee Foundation Children's Literature" exhibition hall introduces the well -known American children's literature writer, providing children with room for reading and interactive. The founder of the American Writers Museum is the Irish entrepreneur Malcolm O’Hagan. He was inspired by the Museum of Museum of Dublin. In 2009, he established the American Writers Museum Foundation and began to raise a similar museum in the United States.In 2011, the Foundation selected Chicago as a city -building city and commissioned the Boston Architect Amaze Design to design the museum.In 2014, the Foundation invited more than 50 experts in the history of American literature and literature to jointly plan the display content of the Writers Museum.The museum officially opened to the public on May 16, 2017. The mission of American writers is to let the public participate in celebrating American writers and express their impact on our history, identity, culture and Dali life. The American Writers Museum is committed to: Educating the public to understand American writers -past and present, let tourists from museum explore many exciting world created by verbal and written text, enrich and deepen the appreciation of various forms of outstanding works, and encourage visitors to visitorsDiscover or re -discover the love of reading and writing, inspire future young writers November 2009 The American Writers Museum Foundation (AWM) is a 501 (C) (3) duty -free company, which aims to establish an American Writers Museum. March 2010 Mayer Brown LLP accepted the Foundation as an unpaid customer and set up the first office for the Foundation for the foundation in 1999.The strategic team of the Smithson Society provides guidance for the development of the museum. April 2010 The implementation planning team established for the development of the museum.AMAZE Design, a Boston museum design company headquartered in Boston.The concept work has begun, and the consideration of potential hosts also begins August 2010 During the meeting with AWM, Mayor Richard Daley expressed strong support to hold a museum in Chicago. May 2011 Chicago was selected as the preferred location of the museum.In the next few years, various locations in Chicago will be evaluated as possible places. June 2011 The National Advisory Committee was established.The Chicago Tribute is the first article in many supporting articles published nationwide in the next few years. It reported our plan to establish a national American Writers Museum in Chicago August 2011 The National Humanities Foundation provides a gift for the museum to formulate a detailed concept plan.Stead Family Foundation offers additional funds. September 2011/October More than 20 scholars, exhibition designers, literati and educators began a series of meetings in Chicago, New York, Washington and Boston to discuss the content and design of the museum. November 2011 At a meeting with AWM leaders, Mayor Ram Emmanuel promised to "fully support" to establish a museum in Chicago. May 2012 AWM launched its first online exhibition "Power of Text -Leaders, Readers, Writers". June 2012 AWM received funding from Exelon, conducting funding feasibility studies January 2013 The National Humanities Foundation will issue another funding for the final design plan of the museum June 2013 AWM has established an affiliated network consisting of the writer's home and the writer's house museum.The Wall Street Journal published a free article on the museum plan. July 2013 AWM retains Cambell & Company as a fundraising committee. January 2014 AWM hired Nike B.Whitcomb Associates Co., Ltd. to consult before opening, and set up an office for the organization in Chicago. June 2014 Appoint AWM board of directors.AWM has received a funding from the Chicago Community Trust Fund, allowing an independent consulting company to conduct research on funds, tourist participation, website analysis and economic sustainability. August 2014 The Delievable Foundation of the Chicago Community Trust and S & C ELECTRIC subsidized a touring exhibition "Neighbors from Our: Four Chicago Writers to Change the United States", which will go to cultural centers and libraries from Chicago.AWM hire architect Gensler & Associates to provide interior and graphic design services. September 2014 The content leadership team began to work on the literary content of the museum.More than 50 experts from various fields and all over the country have contributed to content development. October 2015 AWM signed a lease for its future museum venue, which is located at No. 180, North Michigan Avenue. July 2016 BMO Harris Bank, Penguin Landon Book House and McMilan signed a sponsorship agreement. September 2016 Wintrust Bank became the main sponsor of AWM. October 2016 At the press conference, AWM officially announced the location of the museum.The New York Times commented: "The American Writers Museum found a good address in Chicago." AWM hires an open president January 2017 Harche Publishing House became the latest publishing sponsors of AWM. February 2017 At the press conference, AWM announced that the museum would open to the public on May 16, 2017 May 16, 2017 The museum is open to the public.

Tag: writer

Reading: 36 2024-11-17

DADS Army Museum Thetford

DAD's Army Museum thetford is a museum with the theme of the famous British scenario comedy "Dad's Army", which is located in the old army camp in the town of TheTford, England. The exhibits of this museum cover multiple themes, including historical events that occur in the town of Thetford, the occurrence and development process of DAD's Army, behind -the -scenes stories of DAD's Army movies, and the influence of DAD's Army.The exhibits in the museum are colorful, including clothing, props, scripts, photos, recording and videos, etc., which show the history and influence of Dad's Army in an all -round way. In addition, museums often hold various theme exhibitions and events, such as proper exhibitions of DAD's Army movies, lectures and seminars on DAD's Army themes.These activities not only attract fans of Dad's Army, but also attract historical enthusiasts and other people who are interested in culture and entertainment. In general, Dad's Army Museum thetform is a museum that shows Dad's Army's history and influence, and is also a place for cultural, historical and entertainment enthusiasts. a little history Since its opening in December 2007, his father's military museum has continued to grow.Today, tens of thousands of tourists go to TheTFORD to watch the show of the show, and understand one of the most enduring comedy programs in history. The museum is independently operated by a team of enthusiastic and dedicated volunteers. The current opening time is Saturday, and other days are shown in advertisements.We also organize private visits, talks, and visits for the coaching team-only based on pre-arrangement, depending on the situation.We are a dog -loving museum. Why not become the "friend" of the museum?We have members from all over the world who benefited from our current affairs communication and the annual "Echo".They can also get 10%discount from all of our products. The beautiful Mary Golder Tea Room opened in 2011 in the 1940s, which was an important part of any visiting museum.You will like our homemade formula cake and BROWN Betty Tea tea made by British.

Tag: museum

Reading: 21 2024-11-17

International Council of Museums (ICOM)

The International Council of Museums (ICOM) is an international museum professional organization, established in 1946.The mission of the association is to promote the development and promotion of museum learning, maintain the rights and interests of the museum, and strengthen the connection and interaction between the museum and society. ICOM has more than 200 member states and more than 7,000 member institutions worldwide, including museums, art museums, cultural centers, historical sites, and natural history museums.The members of the association cover various types, scale and theme museums. From small private museums to large national museums, from traditional art museums to modern technology museums, they can find representatives at ICOM. ICOM's main activities include organizing international museum meetings, formulation of professional standards and specifications for museums, promoting museum studies, supporting the development and protection of museums, and promoting the interaction and cooperation between museums and society.In addition, ICOM has maintained close cooperation with international organizations such as UNESCO to jointly promote the development and progress of the museum cause. Over the years, ICOM has continuously developed according to the needs of international museum professionals around the world, and keeps in mind its main mission.After more than 60 years, the organization continued to represent the global museum industry. 1946–1947: ICOM Established During the year of its establishment, the two meetings marked the birth of the International Museum Council.The first meeting was held in Paris. At that time, ICOM was founded under the initiative of Changxi J. Hamlin (the United States). He became the first chairman of the organization.The second meeting was the first conference of the organization and was held in Mexico. 1947–1968: ICOM growth The first seventh conference of ICOM was held from 1948 to 1965.Over the years, the organization has developed its structure and geography, and its activities have become more and more professional and consistent.In the last two conferences (held in Hague in 1962 and in New York in 1965), the needs and enthusiasm of the participants were emphasized. The three main problems during this period were the educational role of museums, exhibitions, international circulation of cultural products, and the protection and repair of cultural products. 1968-1977: Crisis and transition New Year By 1968, ICOM's debt would be long -term.Although various activities, projects and expenses continue to increase, the costs remain unchanged within eight years.At the same time, a new museum is unfolding to adapt to the changing role of museums in society.In the early 1970s, the existence of ICOM faced risks.The only solution is to increase its own resources (members and corresponding membership fees) to end this unfair and outdated situation. The charter was revised.At that time, the number of active members of each national committee is limited to 15 people.After the 1971 Gradorite Conference, the International Monument Site Council put forward the idea of ​​equal status to individual members, and passed a reform in Copenhagen in 1974 to form a single category of active members and quasi -members.The spirit of democracy is popular, and all members of the industry have the right to vote and represent any functions of ICOM. 1977–1989: ICOM goes international A resolution adopted in Moscow in 1977 provided support for staff and repair staff of the Training Museum in Asia, Africa and Latin America.This solves the needs of skilled labor and conversation experts.It also promotes the circulation of protecting training technology equipment. The four decisive meetings of 1977, 1980, 1983 and 1986 made ICOM achieve two strategic goals: In the end, determine the policy of serving the society and its development of the museum; Through the "Moral Specification", this is a reference document. From October 26th to November 4th, 1986, the 14th conference, Buenos Aires, Buenos Airens, Argentina 1989–1996: efficiency and universality ICOM's financial situation became healthier, and the deficit was absorbed in 1994.The fundraising policy paved the way for the future. ICOM's reputation and global actions help increase their popularity.This result is a fair return to half a century. When many international organizations are struggling with financial and structural issues, ICOM maintains universality, flexibility and imagination, so that it can meet the needs of the industry.The proposal of recent conferences has paved the way for cultural policies and strengthened the concept of economic development and cultural factors. 1996–2004: A new era of event Since 1996, ICOM has strengthened the fight against illegal trafficking cultural relics by formulating the red list and 100 missing cultural relics series.With the launch of the museum emergency plan in 2002 and ICOM joined the Blue Shield International Council (ICBS), risk prevention activities related to nature or human disaster were accelerated. With these development, ICOM has increased its existence in the global museum world and contemporary society. 2004 -Today: ICOM is open to Asia ICOM set up a new working group to formulate a new strategy for the organization.The working group wrote a report entitled "Toolbox with ICOM".In addition, ICOM designed and published the "Museum of Management: Practical Manual" for professionals.It has become a reference tool for the international museum industry in training issues. ICOM continues to carry out activities related to protecting cultural heritage, especially actively participating in the management of blue shields and cultural relics logo.Protecting intangible cultural heritage has become an integral part of the ICOM solution activity.All these factors help ICOM's influence. ICOM held the first Asian conference in Seoul, South Korea in 2004.Through this, ICOM emphasizes its desire to incorporate the Asian continent to its organization to a greater extent.In 2010, ICOM participated in the Shanghai World Expo and held the 2010 conference in Shanghai, which strengthened this strategy.After the 2013 Rio Conference and the Milan conference in 2016, ICOM continued to strengthen its influence in Asia, especially the 2019 conference that is about to be held in Kyoto, Japan.

Tag: museum

Reading: 194 2024-11-17

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