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Explore the History and Beauty of Trevi Fountain in Rome

Country： Italy Type： tour

Tag： Historical Landmark Roman Tourism Baroque Architecture

English Websites： http://www.trevifountain.net/ Enter The Website

Trevi Fountain is one of Rome's most famous landmarks, known for its magnificent architecture and rich history. This Baroque-style fountain was built in 1732 and designed by the famous architect Nicola Salvi. After its completion, it became an iconic landscape in the center of Rome. The centerpiece of the fountain is a statue of Neptune, the god of the sea, driving a chariot pulled by seahorses. Visitors often throw coins into the fountain to express their good wishes for the future. Trevi Fountain is not only a tourist attraction, but also a symbol of Roman city culture, attracting countless tourists every year to visit and make wishes.
Trevi Fountain .net - The Trevi Fountain Official Website - The most beautiful fountain in the world

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Vivian Mayer's portfolio includes printed materials, exhibitions, books, and documentaries

The official website of photographer Vivian Mayer. Showcase photo galleries, exhibition information, print sales, books, and documentaries. Piecing together Vivian Mayer's life, it is easy to recall Churchill's famous quote: there is a vast land of tsars and people's commissars to the east. A person who embodies typical European independence and liberates women's emotions, with an accent and everything, but born in New York City. Vivian is a very cautious and privacy conscious person who can passionately promote her very free worldview to anyone who is willing or unwilling to listen. Definitely not materialistic, Vivian would gather a group of lockers filled with discovery projects, art books, clippings, home movies, as well as political trinkets and decorations. The story of this nanny seems incredible, as she has now shocked the world with her photography, while also documenting some of the most interesting wonders and features of American cities in the second half of the 20th century. Vivian is an American of French and Austro Hungarian ancestry. Before returning to New York in 1951, she traveled between Europe and the United States. Two years ago, she began to explore photography and would comb through the streets of New York to refine her artistic skills. In 1956, Vivian left the East Coast for Chicago, where she spent most of her remaining years as a caregiver. In her spare time, Vivian takes some photos and tries her best to hide them from others. Mayer took snapshots of the late 1990s, leaving behind works composed of over 100000 negatives. In addition, Vivian's passion for recording extends to a series of self-produced documentaries and recordings. Vivian Mayer meticulously documented some of the interesting stories in America, demolishing historical landmarks for new development, the unknown lives of various populations and impoverished people, and some of Chicago's most cherished sites. Vivian is a free soul, but also a proud soul. She became very poor and was eventually saved by the three children she took care of in her early years. They deeply remember that Mayer was the second mother, and they pooled their money to buy an apartment, taking care of her meticulously. What they didn't know was that one of Vivian's storage cabinets was auctioned off due to delayed payment. In those storage cabinets were a large number of negatives that Mel had secretly hidden throughout his life. In 2007, when Mayer's works were discovered at a local thrift auction house in the northwest of Chicago, a large number of her works were finally exposed. From then on, it will ultimately impact the entire world and change the life of John Maluff, who supported her work and made it public. Currently, Vivian Mayer's works are being archived and cataloged for appreciation by others and future generations. John Maluff was the core of this project, rebuilding most of the archives that had previously been dispersed among the various buyers participating in the auction. Now, with approximately 90% of the archives being reconstructed, Vivian's works are part of a revival of interest in street photography art. Vivian Mayer Well, I don't think anything is destined to last forever. We must make room for others. This is a wheel. Once you get on, you have to go all the way. Then someone has the same chance to go to the end, and so on. Vivian Mayer (February 1, 1926- April 21, 2009) was an American street photographer born in New York. Although born in the United States, most of Mayer's youth was spent in France. Mel returned to the United States in 1951, where she began working as a nanny and caregiver, spending the rest of her life there. However, in his spare time, Mel began to venture into the art of photography. For fifty years, she persisted in taking photos and ultimately left behind over 100000 negatives, most of which were taken in Chicago and New York. Vivian will further immerse herself in her passion, documenting the world around her through homemade movies, recordings, and collectibles, assembling into one of the most enchanting windows of American life in the second half of the 20th century. early years Mayer was born in the Bronx, New York City. His mother is French and his father is Austrian. Although census records are useful, they give us an incomplete picture. We found that four year old Vivian lives with her mother and award-winning portrait photographer Jeanne Bertrand in New York, and her father has already been eliminated. Later records show that Vivian returned to the United States with her mother Mary Mayer from France in 1939. In 1951, we have records of her returning home from France afterwards, however, this time without her mother. At some point in 1949, Vivian, who was still in France, began tinkering with her first batch of photos. Her camera is a regular Kodak Brownie box camera, an amateur camera with only one shutter speed, no focus control, and no aperture dial. The audience screen is small, and for controlled landscape or portrait artists, due to its inaccuracy, it may create a wedge between Vivian and her intentions. Her intentions are constrained by this weak machine. In 1951, Mayer returned to New York on the ship De Grasse and worked as a nanny for a family in Southampton. In 1952, Vivian purchased a Rolleiflex camera to meet her fixed needs. She lived with this family for most of her time in New York until her last move to the North Shore suburbs of Chicago in 1956. Another family will hire Vivian as their three boys' nanny and become her closest family member for the rest of her life. Around this time, Mayer decided to turn to color photography, mainly using Kodak Ektachrome 35mm film and Leica IIIc and various German DSLR cameras for shooting. Color works have an edge that was not visible in Mayer's previous works, and over time, it becomes more abstract. People slowly crawled out of her photos, replaced by found items, newspapers, and graffiti. Similarly, her works also express an impulse to preserve the items she finds in the trash can or on the roadside. In the 1980s, Vivian's work will face another challenge. Financial pressure and lack of stability will once again put her processing on hold, and colored Ektachrome rolls are beginning to pile up. At some point in the late 1990s and early years of the new millennium, Vivian would put down her camera, store her belongings, and strive to remain floating. She returned from homelessness to a small studio apartment, which was paid for by a family she had worked for before. With meager means, the stored photos became lost memories until they were sold in 2007 due to rent arrears. The negatives were auctioned off by the storage company to the RPN sales company, who distributed the boxes to several buyers, including John Maluff, in a larger auction. In 2008, Vivian fell on a piece of ice in downtown Chicago and hit her head. Although she was expected to fully recover, her health condition began to deteriorate, forcing Vivian to be admitted to a nursing home. She passed away shortly after April 2009, leaving behind a large archive of her works. Vivian Mayer is often described as "Mary Poppin's" nanny, who raised three boys like a mother. Starting from 1956, Vivian worked for a family in the upper class suburbs on the shores of Lake Michigan in Chicago, and she tasted the taste of being a mother. She will take the children to pick strawberries in the strawberry field. She will find a dead snake on the roadside and bring it home to show off to the boys, or organize all the children in the neighborhood to play together. Vivian is a free soul that follows her curiosity wherever they take her. After telling others that she learned English from theater and drama, Vivian's "Theater of Life" unfolded before her eyes, allowing her camera to capture the most epic moments. Vivian has an interesting history. Her family completely separated from her life in the early stages of her life, which forced her to become different, just like what she will maintain for the rest of her life. She has never been married, has no children, and has no very close friends who can say they "know" her on a personal level. Mayer's photos also reveal her closeness to the poor, which can be said to be due to her emotional closeness to those struggling to make ends meet. Her thirst for culture led her to travel around the world. At this point, we know that she went to Canada in 1951 and 1955, South America in 1957, Europe, the Middle East, and Asia in 1959, Florida in 1960, the Caribbean Islands in 1965, and so on. It is worth noting that she travels alone and is attracted to the unfortunate in society. Her search for exotic travel also led her to search for unusual things in her backyard. Whether it's the neglected sadness of Yugoslav immigrants burying their tsars, the final tour at the legendary quarry, the Polish movie screening at the Milford Theater Polski Cinema, or the welcoming of Apollo crew members back home by Chicagoans, she is a record manager who records what attracts her with photos, movies, and sound. The personal descriptions of people who know Vivian are very similar. She has a peculiar personality, is strong, stubborn, very intelligent, and very private. She was wearing a soft hat, a long skirt, a wool jacket, and men's shoes, taking strong steps. Every time she leaves home, she wears a camera around her neck and obsessively takes photos, but never shows her pictures to anyone. An unabashed and unapologetic original work. Photography All the images you will find on this website are not photos made by Mayer, but new scans from Vivian negatives. This naturally raises the question of artistic intention. What will Vivian print? How could that be? These are all reasonable concerns, which is why we are so focused on learning the style she likes in her works. This requires careful study of Maier's own printed materials, as well as many instructions given to the laboratory on how to print and cut, what types of paper, paper coating, and so on. Whenever her works are exhibited, such as at the Chicago Cultural Center, this information is taken into account to explain her work as closely as possible to her original process. Jenny Bertrand is an important figure in Vivian's life. The census records show that she was the head of the family and lived with Vivian and her mother in 1930. Jenny's upbringing is similar to Vivian's - she came from a poor family, lost her father at a young age, and worked in a knitting factory with conditions similar to sweatshops. However, by 1905, we could read about Jenny Bertrand in the Boston Globe, who was hailed as one of Connecticut's most outstanding photographers. What's even more surprising is that Bertrand only started learning photography four years before publishing that report. However, even though Bertrand was an early influence, it must be pointed out that he was a portrait photographer. Around 1949, Vivian first picked up a camera in the Alps of southern France. The photos she takes are controlled portraits and landscapes. It is highly likely that Vivian was taught by Professor Jenny Bertrand. In 1951, Vivian came to New York and continued using the same 6x9 film format Kodak Brownie camera she had used in France. However, in 1952, Vivian's work underwent significant changes. She started shooting in square format. She bought an expensive Rolleiflex camera - a huge leap compared to the amateur box camera she used for the first time. Her eyes have changed. She captures the spontaneity of street scenes, accurately reminiscent of Henri Cartier Bresson, street portraits reminiscent of the Lisette model, and dreamlike compositions similar to Andr é Cortez's. 1952 was the year when Vivian's classic style began to take shape.

Tag: Photo Gallery Documentary

Reading: 61 2024-11-10

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Explore the History and Beauty of Trevi Fountain in Rome

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Vivian Mayer&#39;s portfolio includes printed materials, exhibitions, books, and documentaries

Vivian Mayer's portfolio includes printed materials, exhibitions, books, and documentaries