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BMI

Calculate your physical mass index (BMI). The Body Mass Index (BMI), also known as the Kitley Index, is currently a standard for measuring the body's fatness and health.The BMI value exceeds the standard, which means that you have to lose weight.

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Online Dispute Resolution: Tyler Technologies' Innovative Solution

The online dispute resolution (ODR) platform provided by Tyler Technologies is an innovative solution aimed at simplifying and accelerating the process of resolving various disputes. Through this platform, users can easily submit, process, and resolve disputes online, avoiding the time and cost associated with traditional face-to-face processing methods. The platform adopts advanced technologies such as artificial intelligence and automation tools to help all parties communicate more efficiently and reach solutions, providing a fair and transparent dispute resolution environment. Whether it's civil disputes, contract disputes, or other types of legal issues, ODR can effectively provide solutions and improve user satisfaction. Tyler Technologies' online dispute resolution platform has been widely used in government departments, legal affairs, and business fields, helping more organizations simplify administrative processes and improve work efficiency.

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Reading: 5 2024-11-22

Inpi.fr | Home of Innovatives

INPI.FR is a public institution that fully raise funds. It is supervised by the Ministry of Intellectual Property and is at the core of the founding and innovation process of French companies. In addition to submitting ownership (patent, trademarks, design and models), we also support economic development by raising awareness action and promoting innovation (no matter how their forms). Our core business is to allow everyone to turn innovation into value. Economic value Effective innovation strategies can allow any company to increase their turnover, gain market share, benefit from real competitive advantages, and position themselves as leaders. At the national level, innovation is the main leverage of growth and competitiveness: creating economic flow, attracting investors, promoting research, exports, and creating employment opportunities. With inheritance value Through its securities investment portfolio, the company enriches its intangible capital and has a sources of tangible income.In general, all the titles preserved in INPI are part of our inheritance, and it is identified as "national treasure" by the country, and it is also the source of inspiration for new innovation. Social value Innovation calls for innovation.This is a mentality, a culture that must penetrate into the company and the entire country.Through their journey, their bold and their success, our innovators play a mirror role for each of us. A picture value Promoting your creation and innovation means improving your credibility in competitors, customers and partners (especially financial partners) ... At the national level, all innovators in various fields in various fields are promoting the creativity and richness of French "brands" and "French -style" innovation every day. Through many specialized plans, products and services, we support the company to formulate and optimize its innovative strategy every day.Finally, we actively participate in the formulation and implementation of intellectual property rights and cracking down on public policies in the field of counterfeiting.

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Reading: 16 2024-11-17

US Finance Department

By improving the conditions to achieve economic growth and stability at home and abroad, maintain a strong economic development trend and create economic and employment opportunities; strengthen national security by cracking down on threats and protecting the financial system; effectively managing the US government's finances and resources. The Ministry of Finance is an administrative agency that is responsible for promoting economic prosperity and protecting the financial security of the United States.The department has a wide range of functions, such as putting forward suggestions to presidents on economic and financial issues, encouraging sustainable economic growth and promoting improvement of financial institutions.It manages and maintains a vital system for national financial infrastructure, such as coins and currency production, paying for payments to the United States, tax collection, and funds required for federal government operations.It cooperates with other federal institutions, foreign governments and international financial organizations to promote global economic growth, improve living standards, and predict and prevent economic and financial crises as much as possible.The Ministry of Finance has also played a key and far -reaching role in improving national security, that is, foreign threats to implement economic sanctions, identification and locking in national security threats in the financial support network, and strengthening security protection of the financial system. Organizational The Ministry of Finance is divided into two main parts, namely the department's office and the operation department.The department's office is mainly responsible for formulating policies and overall management of the Ministry of Finance, and the operation department is mainly responsible for completing the specific work assigned to the Ministry of Finance.The number of operators in the operation department accounts for 98%of the Ministry of Finance.The basic functions of the Ministry of Finance include: Manage the federal finance; Collect payment and payable taxes, tariffs and funds to the United States, and pay all the bills in the United States; Production currency and coins; Manage government accounts and public debt; Supervise national banks and savings institutions; Submissions on domestic and international finance, currency, economy, trade and tax policies; Implement Federal Finance and Tax Law; Investigate and sue tax evaders and currency forgery.

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Reading: 24 2024-11-17

Teefury | Daily exclusive report

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Reading: 38 2024-11-17

Jetpack | produced by wordpress.com, your wordpress, connected

Jetpack is a plugin of WordPress, which provides many security and performance functions for the WordPress website. The main features of Jetpack include: Safety performance: Jetpack provides real -time security tools, including automatic malware scanning and one -click repair to protect the WordPress website from malicious attacks. Website performance: Jetpack kits include some tools that can improve the performance of the WordPress site, such as VaultPress Backup, which can be backup and restore the site data in real time. Custom function: Jetpack provides many easy -to -use custom functions, such as Jetpack Custom CSS, allowing users to edit, modify and customize without modifying the theme core CSS file. Akismet Anti -spam: Jetpack contains Akismet anti -spam plug -in, which can resist spam reviews and form submission. In general, Jetpack provides a comprehensive website security protection solution for WordPress users, from data backup to real -time security monitoring, and various custom functions, making WordPress easier to use and maintain.

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Reading: 29 2024-11-17

INFOWORLD -Enterprise Technology Insight

Commercial technology, IT news, product reviews and corporate IT strategies. Infoworld covers software development, cloud computing, data analysis, and machine learning tools and technologies, for information technology (IT) professionals, from CTO and cloud architects to software engineers, developers and data scientists.In the past ten years, the two forces, open source software and cloud computing -have completely changed the operation of enterprises and its IT organizations.Software has become the core of almost all commercial activities. From manufacturing and supply chain to e -commerce interact with customers. Most commercial software is now developed using open source code and runs on public cloud infrastructure.Through news, analysis, expert reviews, practical reviews and technical guidelines, InfoWorld is committed to helping IT decision makers and technical professionals understand and use the most important new technologies to build the next -generation business applications on the modern cloud platform. Infowerld has three annual reward programs: The annual technology award was announced in January, and the best product determined by our review and expert consultant group was rewarded.These awards are not submitted; they are selected inside. Bossies (Best Open Source Award) was released in January, which aims to recognize the best open source tools for enterprises, focusing on software development, analysis, cloud computing and other programming IT technologies.Before July 31st every year, we accept the submissions of the bosses. The Enterprise Architecture Award cooperates with Forrester Research to recognize innovative deployment based on the use of corporate architecture methods.The nomination will be opened from April 1st to June 30th, 2019. It will be published here when available; please see our entry collection page for details.The winner will be announced in September.

Tag: Information technology software

Reading: 26 2024-11-17

Endangered Language Projects -Projects that provide support for protection and recording language globally

Today humans are facing large -scale extinction: at least one language dies every month.When a language dies, this unique perspective of the world disappears.After each language dies, we will lose a lot of cultural heritage. We cannot understand how human beings are related to the surrounding world. We lose science, medicine and botanical knowledge. The most important thing is that we will lose some ethnic groups of humor, love, and life.Expression.In short, we have lost the evidence of life for more than so many centuries. Language is a living and constantly changing entity. The disappearance of language is not new; but it is necessary to be alertly alert that today, the speed of language dying is unprecedented.At present, there are about 7,000 languages in the world, and in the next 100 years, about half of them are in danger.Fortunately, there are many tools and technologies at the moment of tentacles that can help us change this situation. With the help of endangered language projects, Google uses its own technology to help the organizations and individuals dedicated to recording, reserving and teaching endangered languages.Through this website, users can not only access the latest and most comprehensive information about endangered language and samples provided by partners, but also submit information or samples in text, audio or video formats to actively participate in the online records of their language.In addition, users can share the best practical methods and case studies through the knowledge sharing part or join the relevant Google online forum.

Tag: language

Reading: 13 2024-11-17

Annecy Festival Animation Film Festival

Annecy Festival is an animation film festival that dates back to 1967. The festival is one of the largest and highest-quality animation film festivals in the world, attracting animation creators and filmmakers from all over the world. At the Annecy Festival, audiences can enjoy the latest animated films, including feature films, short films, TV animations, and web animations. In addition, the festival also has multiple awards to honor individuals and teams who have made outstanding contributions in the field of animation. It is worth mentioning that the 2021 Annecy Festival cancelled offline activities due to the epidemic, but it was still held through webcasts and online screenings. In general, the Annecy Festival is a grand event that showcases and celebrates the art of animation, providing animation creators with a platform to showcase their works and exchange ideas. Official website of the Festival and March International du Animation Films (Mifa): more than 12,000 professionals from around the world 2022 Something extraordinary happened on Sunday, June 12, 2022. With the release of the film Bad Guys, Paquier quickly donned a star-studded dress for the early opening of the Annecy Film Festival. The stage was set! The promised fireworks evolved into a series of screenings and parties where ideas and debates erupted, creating the animated clamor that sets the heart of Annecy ablaze every June. Over the course of 6 days, groups of animation film lovers can gather in the Pâquier, the Parc d’s Vignières Pommaries or the esplanade of the Annecy Museum to enjoy 18 open-air screenings, both during the day and at night. 11 cinemas also take part in the festivities, with a total of nearly 115,000 spectators. The 2022 Annecy Festival has 13,248 registered badge holders from 106 countries (of which 11,800 are non-locals); more than 300 screenings; 50,000 people attending open-air screenings; 165 events and professional conferences. Nearly 3,000 companies participate in the International Animated Film Market (Mifa), with 6,000 square meters of floor space allocated to stands, welcoming 800 exhibitors and 4,000 professionals. This year, Swiss animation is honored, with 13 films selected for the official competition, plus three retrospectives, one for Claude Barras, one for Marcel Barély and one for Isabelle Favis. An exceptional Swiss roster shows the richness and diversity of this vibrant animation scene. From brothers Sam and Fred Guillaume (Max&Co) to Claude Barras (My Life as a Zucchini), but also Isabelle Favez (Apple Pie), Marina Rosset (The Bear’s Hand), Micheala Müller (Miramare), Michael Frei (Plug&Play), but also Claude Luyet, Marcel Barelli, Claudius Geninetta, Anja Kofmel, Zoltán Horváth or Maja Gehrig, the guiding lights of Swiss animation shined throughout the week. 2021 After a year online, the festival continues to reinvent itself, offering an unprecedented format adapted to the pandemic. This hybrid format rises to the challenge of creating a physical and virtual event, bringing together all animation enthusiasts and professionals. It was a “battle”, as its CEO Mickaël Marin describes it in this episode, with nearly 8,500 badasses gathered on site, half of them online. Despite the ongoing precarious health situation, professionals and the local public from 96 countries could finally celebrate the much-anticipated 60th anniversary, postponed from last year. Overall, more than 2,700 films were submitted to the official competition, 85 Mifa online events and 74 festival events were organized, 240 live screenings and 12,897 hours of viewing by our participants. The year was also highlighted by the celebration of African animation as part of the Africa 2020 season. Annecy welcomed, among others, the writer and professor Mohamed Ghazala and the artist Naddya Adhiambo Oluoch Olunya as jury members. The festival offered many thematic content related to the continent and Mifa also gave Africa a place of pride to showcase the richness and diversity of the region. The Annecy International Animated Film Market counted 2,336 distress holders, including 325 buyers, distributors and investors. The Mifa Campus was fortunate to have author, screenwriter and director Marguerite Abouet as patron, while the Mifa Animation Industry Award was awarded to the African studio Triggerfish Animation Studios. Thanks to the establishment of the Festival du Village in the heart of Harras, the public can once again come together to share some fun and joy. The XploR area dedicated to virtual reality, exhibitions and open-air screenings completes a rich week for local Annecy people. 2020 In the throes of the COVID-19 pandemic, the Annecy International Animated Film Festival and its Mifa organizers resigned back in April to cancel the usual physical format of the Festival. However, in order to support animation professionals and meet the needs of film lovers and the public, a digital version was conceived and developed in two months. 2020 will continue to be a historic edition with the virtual launch of Annecy Online and Mifa Online on June 15. Over 15 days, 15,570 badge holders (a record) from 111 countries were able to access innovative and adapted formats, content and tools, to discover the 2020 Official Selection and also to continue their professional activities and discussions about the animation industry, all online. Finally, more than 3,000 films were submitted to the Official Competition, 40 Mifa events and 30 festival events were organized, more than 27 hours of live broadcasts and 451 videos, or 80 hours of unique content available on the Annecy Online platform. Mifa Online received 4,130 badge holders who viewed 1,120 works in the media library and received 2,074 virtual stands, who were able to discover and participate in discussions with professionals in the sector using a range of tools on the Annecy network, which sent more than 37,000 messages. 2019 Annecy International Animated Film Festival continues to break records, with 12,300 badasses registered in 2019, from 92 countries and 3,139 entries in the film competition. This edition awarded Jean-François Laguione the Medal of Honor. In addition, two new competition categories were created: a feature film section Contrechamp that explores new forms of animation, and VR works were competitive for the first time through a prize and jury dedicated to it. XR@Annecy - was integrated throughout the event, Mifa and the conference. The public also experienced it first-hand in the open VR Dome Center. In 12 years, the Annecy International Film Market continues to grow, expanding its surface area to 8,000 m2, with 4,143 badge holders and 1,881 companies. Nora Twomey and Marc du Pontavice became patrons of the Mifa Campus for the first time and received the Mifa Animation Industry Award. Finally, Japanese animation was the focus this year, with the presence of our guest of honor Yôichi Kotabe, trailers, legendary films, exhibitions, delegations, stands and Charlotte Gastaut's Japanese posters. 2018 The 2018 Annecy International Animated Film Festival broke all records. There were 11,700 badge holders, 3,086 films submitted to the selection committee and 93 countries participated in the selection. The tribute to Brazilian animation, with the theme "Music and Animated Film", added rhythm and color to the event. A delegation of 54 companies represented Brazil at Mifa, with a stand area of 45m². Exhibitions, special screenings, concert films, musical performances, jury members, Territory Focus, sound creation workshops and masterclasses were punctuated during the week to put these themes in the spotlight. Mifa also broke all records this year, with a larger surface area of 7231 m2, 3800 badge holders, 827 exhibitors, 75 countries represented and 468 projects submitted to Mifa Pitches. New media were used to strengthen the market proposition: market screenings, filming of book animations, presentations, meetings with composers… Finally, the Mifa Animation Industry Award was awarded for the first time to an organization, the Association of Women in Animation, confirming Annecy’s commitment to equality at the heart of the organization. 2017 This year the Festival reached a huge milestone with 10,000 certifications! In addition, the number of films submitted continued to increase, with 230 officially selected from 2850 registered films. China, the guest country of the event, was represented throughout the event. The country’s flag was represented by 130 delegates, covering 183 m2 of the Mifa Pavilion. There were special programs dedicated to Chinese animation, as well as the beautiful exhibition China, a performance by Sun Xun and much more. Mifa continues to expand in all directions, reaching 6,000 square meters, 9% more certifications, 200 more companies and 16% more buyers, distributors and investors. This year, the Mifa Campus dedicated a whole day to students, with Guillermo del Toro as their mentor. It is the pair of distributors who have won the Mifa & Variety Animation Personality of the Year Award: Marc Bonny of Gebeka Films and Eric Beckman of GKIDS. 2016 The Annecy Film Festival breaks records again this year, exceeding the record of 9,150 qualified visitors, 2,700 films in competition for the Official Selection and 400 projects in competition for the Mifa Pitch. Likewise, countless special programs are organized around three special themes: French Animation, Advertising Animation and the French/Korean Commemorative Year. This year's edition includes a large number of key figures from the animation world, many excellent film trailers that delight the audience, and the new format of the ongoing conferences of Rencontres and TV Series, which have already gained wide success with the public. As for the awards, this year's Honorary Cristal Award went to renowned producer Didier Brunner, while Mifa & Variety's Animated Personality of the Year Award went to Peter Lord and David Sproxton, co-founders of Aardman Animation Studios. Mifa celebrated its 30th anniversary in 2015, continuing to confirm its strategic positioning as the top international animation film market. Proof of this: visits by French President François Hollande and French Minister of Culture and Communication Audrey Azoulay. 2015 Annecy 2015 was a record-breaking year across the board: number of certifications, countries represented, previews and films received. The event also welcomed many celebrities from the animation world. Women in animation and Spain, two topics that were in the spotlight this year, were equally well received. The ladies were generally well represented, with Florence Miai receiving the Medal of Honor and Regina Pessoa creating the official poster. Some of the biggest animation studios visited Mifa, which also celebrated its 30th anniversary. It was the perfect time for Mifa & Variety's Animation Personality of the Year Award, which went to Chris Meledandri, one of the most prominent figures in the industry. Other new formats were also launched in 2015: Studio Spotlight sessions, which enabled studios to present their latest works; Keynotes, which allowed big names in animation such as Chris Meledandri and Genndy Tartakovsky to share their knowledge and experience; World Animation Festival (Animation du Monde Pitches), which focused on animation production in emerging countries, and Student Snack Time, which awarded some of the youngest filmmakers. 2014 Stop-motion animation has been in the spotlight this year, with many special programs, conferences and exhibitions dedicated to this technique, as well as a festival poster created by Franck Dion. Annecy was proud to welcome Isao Gohata, who also received the Honorary Christ Award. New for 2014 is the creation of a competitive short film category "Animation Forbidden Zone", which is also part of the MyHomeFestival online program. The conferences were able to find a relative public after being redesigned, expanded and divided into three categories: Creation, Business and Production Organization. Mifa also saw a sharp increase in the number of exhibiting companies, with major American companies including Nickelodeon, Disney, Pixar and Cartoon Network. Next year, the market will celebrate its 30th birthday, providing a perfect opportunity to celebrate the development of the animation industry and its future. 2013 The 2013 festival was full of extraordinary events, such as Poland as guest country, the special Christ Award for the career of Jerzy Kucia, Calimeiro's 50th birthday, many previews and screenings. The public votes for the films through the selection of the funniest film and the audience award and, above all, the event is marked by the style of the new artistic director, Marcel Jean. Minister of Culture Aurélie Filippetti visits Mifa and unveils new sessions such as Mifa Talks and Sharing Sessions. New studios such as Illumination Mac Guff, Laika or Method Animation were also able to appreciate the recruitment sessions of the Creative Focus. Figures: 7,100 accredited delegates, of which 2,400 from Mifa. 2012 Ireland was the guest country in 2012 with a rich and varied programme, including several trailers such as The Suicide Shop by Patrice Leconte and The Lorax by Dr. Seuss. Mifa’s new events and spaces (Territory Focus, Mifa Screenings, Demo Room…) give more visibility to the companies and countries that visit and encourage networking possibilities throughout the week. 25 projects are presented at the Creative Focus. There was also a focus on African animation and 19 recruitment conferences. More than 900 people attended the conferences. 2011 The focus on American independent animation was one of the main highlights of the Annecy 2011 program. Mifa: Program Overview, Ankama 10th Birthday, SFPA, UniFrance and Canal+ Family Press Conference. **Dear guests, the Festival is proud to welcome Reiji Matsumoto! ** The Minister of Culture, Frédéric Mitterrand, was also present at the Festival and presented the Annecy YouTube Award 2011 in a Disney Special. 2000s: A thriving festival! 15 full-time staff on the organizing committee A team of 15 full-time staff was formed, supervised by Tiziana Loschi and chaired by Dominique Puthod. After the death of Jean-Luc Xiberras, Serge Bromberg took over as artistic director of the festival in 1999, creating a collective organization to develop the entire event. Roy Disney 40th Anniversary Celebration Serge Bromberg invited Roy Disney to be honorary president of the 40th birthday edition of the festival. This symbolic gesture proved that Annecy had matured and that the event should no longer be seen as an alternative to American animation, but as a melting pot for all animation. It was from here that Annecy was able to develop with confidence in its relationship with the profession. More and more premieres In the 2000s, the number of preview screenings increased significantly, and media coverage of the event also increased. More and more animated feature films also began to be produced in France and Europe, providing an easier editorial balance in the presentation of the film event. Creation of CITIA, the City of Moving Images In 2006, the fusion of the two associations, Cica and Pumma, gave rise to the CITIA Public Cultural Cooperation Agency (EPCC – Public Agency for Cultural Cooperation). Patrick Eveno takes over the management after being recruited to work on a project based on the "moving image" and focusing on three complementary areas: culture, education and economy. From then on, 30 people will work at CITIA all year round, organizing the Festival, Mifa and other events. Full-fledged festival In 2008, the Festival's main figures increased: 6,700 registered delegates, equivalent to a 10% increase in attendance, 1,867 films submitted, 284 officially selected, 300 journalists in attendance, 20% more exhibition space at Mifa, 3,000 m² of exhibition space for more than 1,100 companies registered. The following year, the Festival made a global impact through its involvement at local and regional levels. **2010s: 50 years of unwavering commitment! ** The 34th Festival also celebrated its 50th birthday in 2010. More than 50 high-profile guests traveled to Annecy to celebrate this anniversary with international wide coverage. A collection of 5 DVDs and a book, Creatures and Creators, containing drawings by leading artists from the world of animation, were created especially for the occasion. Main developments between 1983 and 1997 American studios come From 1985 onwards, the American studios are increasingly visible at the event, proof that the changes of 1983 are bearing fruit. That year, the public saw nine Oscar-winning films produced by the Disney studios, followed by a tribute to Warner Bros. in 1987 and a visit by a large Disney delegation in 1989. Growth in numbers Between 1983 and 1997, the event experienced double-digit growth, with the number of participants increasing from 900 in 1983 to 4,300 in 1997 and the number of films received increasing from 386 to 1,271. All this was due to a favorable environment, shortened production deadlines, the event's expansion policy and the creation of the Film Market. These factors also led to a significant increase in media coverage, with more than 250 journalists attending the event at the end of the 90s. **Unable to initialize the mail component of Evolution. ** Until 1981, the visiting public consisted mainly of members of film clubs and professionals from the art world. From 1983 onwards, the success of the event, as well as the development of the sector, led to an increase in the number of visiting professionals from the cultural and economic aspects of the sector. In 1993, Cica built for the first time a huge screen outside the Pâquier lawn so that the local public could watch the films and have a real contact with the festival. The coming year In September 1997, the Board voted to make the event annual, for several reasons: increase in productions, difficulty in selection, rejection of too many films, competition with other events, the need for an annual market and a full-time organizing team. Thanks to this decision, Annecy was able to consolidate its position as the leading international animation festival. The 80s: Considering the economic dimension The break in 1982 In 1981, the arrival of a new government interested in a policy of decentralization made it possible for Annecy to take over the event. The CNC was ready to support this initiative, and ASIFA, under pressure from international filmmakers, also wanted to see changes in the festival and its film selection process. The talks officially began between the CNC, Senator Charles Bosson (founding president of the festival) and Pierre Jacquir, president of Jica. In the end, it was decided not to renew the contract with the director, to transfer the administration from Paris to Annecy and to set up an international selection committee. New ambitions In July 1982, Jean-Luc Xiberras was hired to develop these new policies and reconnect with the animation industry, which had been divided after the death of the event's director. The Annecy Film Club also kept its distance and supported Raymond Maillet, who wanted to create another film festival. The 1983 festival was organized in this somewhat controversial climate, taking place in the newly built Bonlieu Cultural Center. The presence of several theaters now made it possible to screen simultaneously in different formats and with different media, something that would have been unthinkable in the old Casino Theater. The original idea of a film market was taking off and thematic conferences were also organized. By opening up to all aspects of animation, culture and technology, Annecy 1983 proved to be a real success. New format of the competition In 1984, Marie Noëlle Provent succeeded Pierre Jacquir as director of Jica. The organizing association became the Centre International des Animations (International Center for Animated Films) and adopted a new status aimed at expanding activities related to animation and promoting the local roots of the activity. From that time on, the development of the animation and audiovisual sectors was taken into account when making decisions. After the inclusion of commissioned films in the competition in 1983, a competition category was also created for television films in 1985. Creating a Film Market Appointed in 1981, the Minister of Culture, Jack Lang, gave a real opportunity to the development of the event by promoting a "new image" and developing an "image plan". Based on this, Cica and the Octet agency jointly organized the first International Animated Film Market (Mifa) in 1985. Jack Lang stated that this market "responded to the need to now take into account the development of the entire industry, especially in terms of the economy". For Cica, the market gave films that appeared in the official selection a better chance to find distributors. The government policies developed in the 80s created a favorable environment for the emergence of French animation and the national economy. The 70s: A decade of contrasts Jica returns The festival returns thanks to the commitment of Charles Bosson, senator and mayor of Annecy, film directors and the film club. Raymond Maillet, Pierre Barbin's right-hand man and an animation fan with an extraordinary knowledge of films and filmmakers, takes over Jica and attendance by professionals and spectators increases until 1975. During this period, regular exhibitions held in the castle museum particularly highlight the heritage aspect. But this attendance curve reverses in 1977, certainly due to the emergence of new events, but also due to the increasingly bitter disputes between Annecy, the Parisian administrative office and film directors. The 60s: Jica comes to Annecy Active film club The presence of an active film club in Savoy, coupled with the close contact of its main members with the team during the festival activities, makes it easier to organize the International Film Festival (Jica) in Annecy, with Pierre Barbin as executive director and André Martin and Michel Boschet as event assistants. The First Jica In 1956, Henri Moret and Georges Gondran, the leaders of the Cinema Club, attended the first festival held in conjunction with the main film festival in Cannes. From the meeting of the two groups, the seeds of an idea were stitched to set up a festival dedicated to animation in Annecy. The town had many advantages due to its proximity to Geneva and the airport, the presence of a theatre, and the large audiences attracted by the work of the Cinema Club, and in 1959 the city council voted to host the event. A Fiercely Competitive Festival In 1960, Annecy hosted the third Jica Festival, which was highly competitive. At the same time, the foundations of the International Association of Animated Films (ASIFA) were being laid and the concept of animation was gradually institutionalized. In 1963, the festival was changed to odd years in order to combat the competition. The following year, an agreement was signed with ASIFA confirming the biennial nature of the Annecy Festival and gradually developing the guidelines for a major event through a rigorous selection process, tributes, retrospectives, publications, exhibitions, special guests and the presence of 25 foreign delegations. A year without a festival At the beginning of 1968, Pierre Barbin was appointed artistic director of the Cinémathèque française, replacing Henri Langlois, and then resigned in April, sparking a major national situation. The following year, the festival did not take place, as the CNC was unable to provide financial support. The state was involved through the Minister of Cultural Affairs, André Malraux, who proposed abandoning the event.

Tag: Film Festival Animation

Reading: 48 2024-11-17

Mathoverflow -Interactive Mathematics Website

Mathoverflow is an interactive mathematical website that belongs to a member of StackexchangnetWork. It is a forum -type communication interactive mode that is specifically used to solve mathematical problems. Users on the website can submit questions, browsing problems, indexing related academic content on the above, or voting and commenting on questions or answers.It provides a platform that allows mathematicians and students to share their knowledge and problems and get help and insights from others. The biggest feature of Mathoverflow is the professionalism and interaction of its user community.In the field of mathematics, it is widely considered to be a very important and popular website, providing great help for mathematical research and teaching.

Tag: math

Reading: 22 2024-11-17

How Clothes Shiord Fit -Dress Guide

With a guide suitable for your body.It teaches you how to fit your clothes for you.Made according to the "How to fit" guide based on Reddit-MaleFFASHIONADVICE. Your appearance; whether it is sharp and confident, easy, or naive, it depends on whether your clothes fit.Finding a suitable tailor may be crucial, but nothing is more important than sharing a pair of picky eyes with the mirror in the fitting room.Fortunately, for most of us, choosing the right clothes does not require much talent.All the need for clothing and details are needed.The following is a general fitness guide for novices. Foreword Before we start, let's pay attention to the most suitable body for clothes.When it comes to your appearance, clothing is just part of the equation.It is important to eat, drink well, and occasionally exercise.Many of us have a busy life. We cannot be models, but you don't need six abdominal muscles to look good.For people with good figures, clothes are easier to look great.However, weight loss is not the only important thing -if you are thin and thin, start your fitness.It will help you enrich your clothes.In addition, before starting, please measure all your size accurately.When buying clothing in the store, these numbers are very useful. When shopping online, these numbers are absolutely essential. Gaunting a white shirt The collar should just scratch your neck instead of tightening it.If the head turns the collar, the collar is too tight.You should be able to put your two fingers in your buttons comfortably without letting it close to your skin. Your cuffs should be consistent with the position of your palm (about 2 cm up from your wrist bone).It should be tight enough, so that the thumb gravure at your wrist will prevent the cuffs from moving upwards.It should be a little loose than a suitable watch, and do not exceed that watch. Shoulder seam should be at your scapula.This is the farthest point on your shoulder. The sleeves should not be too tight to see the details of the arm, but it should not be too loose to get up.When you bend your arm, your cuffs should not move more than your wrist inch. The length of the shirt should ensure that bending and natural exercise will not cause the shirt to release.In addition, if your hands cross your head, your shirt should be rolled up.If this is a problem, the shirt may be too short or the sleeve hole is too low.Or, the sleeve holes should not be too tight around the shoulder. sports jacket and suit jacket The collar of the shirt should be exposed about 2 cm. The shoulder seam should be located on the edge of your shoulder.The purpose of this is to reduce flexion, because when the arm is hanging on both sides of the body, there should be no obvious wrinkles or deresses on the shoulders. Similar to the shirt, the sleeve must be high enough and should not be cut into your armpit.In normal exercise, the movement of the arm should be independent of the jacket to a certain extent. After the buckle is buckled, the jacket should not pass through the chest (the fabric forms a "X" shape in the abdomen).Similarly, when your arms are crossing, you should not pull your shoulders. Put your hand flat, you should be able to put it under the lapel of your jacket. The second butt of the jacket should just be above your belly button, not below. The arms are placed on both sides of the body, and the sleeves should cover the wrist bones. If a jacket is not suitable for your figure, sometimes the bottom will be opened. This is the result of the lean waist of the jacket, so your hips will squeeze the fabric. The length of a suit jacket -like a good lawyer -should be able to cover your ass coat Most rules are the same as a suit jacket because the shoulder seam should be at your shoulder (considering the clothes you wear). Remember what you will wear under the jacket, because the size needs to be adjusted accordingly. The coat should not be too wide, but it should be close to your body and highlight your body shape.In other words, it should not be tight and should be allowed to exercise freely. The sleeve should be one inch from the wrist (one inches longer than the sleeve of a formal shirt) to ensure that you will not show the sleeves you wear below. Just like a jacket, if the coat does not fit, sometimes the bottom will open like a bell, so be careful.It makes the coat look like a skirt. sloping cotton pants Without pants, a waist should be kept on your hips. The pants in the picture are slightly slim.There is nothing wrong with fitting, but some people may prefer conservative appearance. Avoid wrinkles.They make you look as if the abdomen has more weight. Chinuo should not be tight to the leg, but it should not be tumbling.It should be close to the legs comfortably without causing resistance. You usually want a crack in trouser legs.The crack is a crease that produces when the pants are folded to the shoes on the bottom of the pants.If you wear slim -fitting cotton trousers, then you may not want to rest. dresses pants Similar to the fitted cotton trousers, the formal trousers should not be tight to the legs, nor should they bulge, but to tighten the legs comfortably without resistance, but they will naturally hang down more. Similarly, avoid folds because they will make you look heavier. There should be a clear crease in the middle of the legs of each pants. You want a smaller rest time, but you still want to rest.Some people choose a cuffs that can hold their pants and have no cracks, and some even use the lead in the cuffs to achieve this goal.I believe that Xiao Po (pictured) is pleasing, and the Brooks brothers insist on this style. jeans Regarding tailoring, the thighs of jeans should be slender, and below the knee should be straight or cone.Avoid shoe cutting. According to your waist, choose straight legs or a slimming figure.Reduce 1 yard to get a slimmer figure.This jeans will be stretched. When it comes to breaks caused by gravity, most people do not want more than a few, as shown in the figure.Some people's goals are more rest, which is called "stack".In the end, the number of rests is a question of personal preference.According to the style of jeans and the hardness of denim, you can not pile your pants up.Because jeans are very versatile and can be paired with a variety of styles, this combination will be different. If you plan to change the cuffs and jeans, the length can change.The cuffs of jeans can range from 3-12 cm according to your style. tie The tie should be simply placed under your collar and should not tighten your collar. Your knot should change according to your collar.Big -wide collar, such as cutting corners, requires a large knot, such as Winzisa knot.Narrow collar, like a sharp collar, requires four -handed cooperation.Experience, see what pairing is good -looking. When standing straight, the bottom of the tie should just reach the center of the belt shoe When you stand, you should not easily put a finger behind the heel (this is a bit different, but your shoes should not be too big). You should be able to barely wipe the front of the shoes with your toes.The front of the shoe should not compress your toes. Shoes should be applied small or no pressure on your feet.This should be obvious, but walking is comfortable and effortless. Choose round head shoes (pictured), because flat shoes will make your feet look bulky.

Tag: Dressing guide

Reading: 40 2024-11-17

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