Marc Riboud photographer

Marc Riboud was born in Lyon, France in 1923.His original photo was taken during the Paris Expo in 1937.In 1944, he participated in the Weikor's Patriotic Resistance Movement and later became an engineer.At the age of 30, he met Henry Katie Bresson and Robert Kapa, ​​became a photographer and joined the Magnam Photo Agency.

After living in the UK for a year, he started traveling long distances.First set off to the capital of Lebanon's capital Brurt, passing Turkey, Iran, Pakistan, Afghanistan, and Nepal, and finally arrived in Kolkata, India.His trip lasted a full year.He traveled to China for the first time in 1957, and lived in Japan for several months in 1958.

In the early 1960s, he filmed an independent movement of Algeria and Africa, and visited the former Soviet Union several times.Since 1979, he has continued to return to China, tracking the great changes in his society and discovered Huangshan.He also visited Angkor's monuments in Cambodia many times and filmed in Istanbul and France.

He has won multiple awards and has published more than thirty works.His photography is exhibited all over the world.

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From 1957 to 2010, Markry has been in more than twenty times.China can be said to be the country he has taken the most.From 1979, Maclib has been filmed in China almost every year, but there is no doubt that he has the longest time. The most out of the film is the first two times in 1957 and 1965.

China was still a closed country in 1957.Since the country under the rule of Chiang Kai -shek in 1948, none of the foreign photographers have shot China.After a year of Macrib's journey, Macribo arrived in Kolkata. He dreamed that he could walk to China and waited for several months to get a visa.He loves the civilization of this millennium ancient country. His understanding of India, especially how he wants to see how Mao Zedong's cultural revolution has completely changed the strong desire of the lives of the most people in the world in the world.

Writer Han Suyin and Kathmandu's Indian ambassador, Asian cultural experts, and Earl Ostrorogh, who met in Nepal, all provided a lot of help to the unwilling pass from him.In December 1956, Macrob landed in Guangzhou from Hong Kong, and set foot on China for the first time.

In the first few months, he was always accompanied by the guidance of him as "Angel Detention".From the big cities to the countryside, from the factory to the theater school, he walked endlessly.He traveled through the muddy rice fields and traveled through the whole China from south to north by train, and experienced a dozen spontaneous people's movement.

After this trip, Macrybi waited for nearly eight years to get a second visa and came to China again in 1965.In this second trip, he saw the first end of the cultural revolution and showed us the students who worked in the field and hundreds of thousands of children who were holding wooden guns in the square.

China has opened up in 1979. It has first tasted capitalism, and its vitality shocked the West.Although the reform only touches part of the port and the urban population, China has become an economical country.The Chinese people in the temple in Mao Zedong for a long time are at least the lucky part of the people who experience the charm of the consumer society.

These changes have impacted the country, which is known as "older than history" by General Da Goghle, and Macriban observes these changes with enthusiasm.As he wrote, "the best way to understand China is observation."This concept drives him to return to China again and again, and he believes that "here, unremitting observation of details and instantaneous observations, he can better understand and understand a country than else."In the same preface, he also wrote: "I love everything I see, a beautiful face, a tool with old luster, and a broad and strange scenery. I see the whole nation has moved from humiliation to dignity."

These photos of the key history of China's 50 years have become the only testimony of China's era.Chinese photographers who are relatively unable to work freely are more precious for this testimony.After many years, we can see that his photography works are together, forming a mosaic puzzle with both ancient Chinese relics and Shanghai Ski Building.From this puzzle, only the most keen eyes can be distinguished. When this is always like everything in a large -scale country, it seems that what it seems to be changed.

It is worth mentioning that Macrob's proposal was discovered in 1985 and found Huangshan in 1985 and was glad to discover.He was completely fascinated by the scenery there, and he always loved the landscape painting of the Song Dynasty several times to find the inspiration in the painting.While walking between the mountains and mosaic mountain peaks, he came into contact with the new generation of China.He was helpful for his translator Sun Guofu, and he found that China's new generation of thinking and lifestyle had changed dramatically.He felt very interesting, sometimes even shocked with this change.Want to know how Chinese people live and think, what is their pain, their happiness, how they progress, prompting him to return to China again and again.Macrib said: "For me, the country is like a friend, I like to often meet my old friends." So China became the source of the shocking visual image that he would never dry in his photography career.Because of this, he never cared for such familiarity, so far away, and so many Chinese people.