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Shortfil.ms | Watch the best short films on the internet

Country: Germany Type: video

Tag: Short film

English Websites: https://shortfil.ms/ Enter The Website

A movie doesn't necessarily take two hours to tell a good story. We at shortfil.ms believe that short is beautiful.

Why does the world need websites like shortfil.ms?

Short films deserve more attention than they do now. They are often highly complex works of art. Telling a story in 30 minutes is much more difficult than telling a feature film. But short films are not yet easily obtainable. Of course, many short films can be found on the Internet - as shown on this website - but where do you start?

Shortfil.ms aims to showcase the best short films on the internet. Therefore, we will conduct all research for you and add at least one short film to our database every day. In addition, shortfil.ms provides you with multiple opportunities to find movies that meet your current needs. If you already know what you want to see, you can use our search tool to find it. In addition, the website can also help you discover new and exciting movies.

shortfil.ms

How does it work?

Firstly, you can easily use the browsing menu to find our database of genres, languages, or countries/regions. Of course, you can also browse through the numerous directors, screenwriters, actors, and staff who have contributed to the works presented on shortfil.ms. By adding new movies, these databases grow every day. Secondly, you can let us decide what you want to see. For this reason, we have included our discovery tool on the homepage. Just tell us how much time you have and what type of movie you want to watch, and shortfil.ms will recommend a movie that suits your settings.

Who are we?

We are Stefan Grund and Peer Bresser, both from Cologne, Germany. Stefan has studied media and computer science and works as a front-end developer at an institution in Cologne. Peer has studied media management and worked as a producer on one of the largest multi-channel networks in Europe. Both of them enjoy watching movies.

Our previous collaborators include Sebastian Winand and Sean McCoy, who created our logo.

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Likewise, countless special programs are organized around three special themes: French Animation, Advertising Animation and the French/Korean Commemorative Year. This year's edition includes a large number of key figures from the animation world, many excellent film trailers that delight the audience, and the new format of the ongoing conferences of Rencontres and TV Series, which have already gained wide success with the public. As for the awards, this year's Honorary Cristal Award went to renowned producer Didier Brunner, while Mifa & Variety's Animated Personality of the Year Award went to Peter Lord and David Sproxton, co-founders of Aardman Animation Studios. Mifa celebrated its 30th anniversary in 2015, continuing to confirm its strategic positioning as the top international animation film market. Proof of this: visits by French President François Hollande and French Minister of Culture and Communication Audrey Azoulay. 2015 Annecy 2015 was a record-breaking year across the board: number of certifications, countries represented, previews and films received. The event also welcomed many celebrities from the animation world. Women in animation and Spain, two topics that were in the spotlight this year, were equally well received. The ladies were generally well represented, with Florence Miai receiving the Medal of Honor and Regina Pessoa creating the official poster. Some of the biggest animation studios visited Mifa, which also celebrated its 30th anniversary. It was the perfect time for Mifa & Variety's Animation Personality of the Year Award, which went to Chris Meledandri, one of the most prominent figures in the industry. Other new formats were also launched in 2015: Studio Spotlight sessions, which enabled studios to present their latest works; Keynotes, which allowed big names in animation such as Chris Meledandri and Genndy Tartakovsky to share their knowledge and experience; World Animation Festival (Animation du Monde Pitches), which focused on animation production in emerging countries, and Student Snack Time, which awarded some of the youngest filmmakers. 2014 Stop-motion animation has been in the spotlight this year, with many special programs, conferences and exhibitions dedicated to this technique, as well as a festival poster created by Franck Dion. Annecy was proud to welcome Isao Gohata, who also received the Honorary Christ Award. New for 2014 is the creation of a competitive short film category "Animation Forbidden Zone", which is also part of the MyHomeFestival online program. The conferences were able to find a relative public after being redesigned, expanded and divided into three categories: Creation, Business and Production Organization. Mifa also saw a sharp increase in the number of exhibiting companies, with major American companies including Nickelodeon, Disney, Pixar and Cartoon Network. Next year, the market will celebrate its 30th birthday, providing a perfect opportunity to celebrate the development of the animation industry and its future. 2013 The 2013 festival was full of extraordinary events, such as Poland as guest country, the special Christ Award for the career of Jerzy Kucia, Calimeiro's 50th birthday, many previews and screenings. The public votes for the films through the selection of the funniest film and the audience award and, above all, the event is marked by the style of the new artistic director, Marcel Jean. Minister of Culture Aurélie Filippetti visits Mifa and unveils new sessions such as Mifa Talks and Sharing Sessions. New studios such as Illumination Mac Guff, Laika or Method Animation were also able to appreciate the recruitment sessions of the Creative Focus. Figures: 7,100 accredited delegates, of which 2,400 from Mifa. 2012 Ireland was the guest country in 2012 with a rich and varied programme, including several trailers such as The Suicide Shop by Patrice Leconte and The Lorax by Dr. Seuss. Mifa’s new events and spaces (Territory Focus, Mifa Screenings, Demo Room…) give more visibility to the companies and countries that visit and encourage networking possibilities throughout the week. 25 projects are presented at the Creative Focus. There was also a focus on African animation and 19 recruitment conferences. More than 900 people attended the conferences. 2011 The focus on American independent animation was one of the main highlights of the Annecy 2011 program. Mifa: Program Overview, Ankama 10th Birthday, SFPA, UniFrance and Canal+ Family Press Conference. **Dear guests, the Festival is proud to welcome Reiji Matsumoto! ** The Minister of Culture, Frédéric Mitterrand, was also present at the Festival and presented the Annecy YouTube Award 2011 in a Disney Special. 2000s: A thriving festival! 15 full-time staff on the organizing committee A team of 15 full-time staff was formed, supervised by Tiziana Loschi and chaired by Dominique Puthod. After the death of Jean-Luc Xiberras, Serge Bromberg took over as artistic director of the festival in 1999, creating a collective organization to develop the entire event. Roy Disney 40th Anniversary Celebration Serge Bromberg invited Roy Disney to be honorary president of the 40th birthday edition of the festival. This symbolic gesture proved that Annecy had matured and that the event should no longer be seen as an alternative to American animation, but as a melting pot for all animation. It was from here that Annecy was able to develop with confidence in its relationship with the profession. More and more premieres In the 2000s, the number of preview screenings increased significantly, and media coverage of the event also increased. More and more animated feature films also began to be produced in France and Europe, providing an easier editorial balance in the presentation of the film event. Creation of CITIA, the City of Moving Images In 2006, the fusion of the two associations, Cica and Pumma, gave rise to the CITIA Public Cultural Cooperation Agency (EPCC – Public Agency for Cultural Cooperation). Patrick Eveno takes over the management after being recruited to work on a project based on the "moving image" and focusing on three complementary areas: culture, education and economy. From then on, 30 people will work at CITIA all year round, organizing the Festival, Mifa and other events. Full-fledged festival In 2008, the Festival's main figures increased: 6,700 registered delegates, equivalent to a 10% increase in attendance, 1,867 films submitted, 284 officially selected, 300 journalists in attendance, 20% more exhibition space at Mifa, 3,000 m² of exhibition space for more than 1,100 companies registered. The following year, the Festival made a global impact through its involvement at local and regional levels. **2010s: 50 years of unwavering commitment! ** The 34th Festival also celebrated its 50th birthday in 2010. More than 50 high-profile guests traveled to Annecy to celebrate this anniversary with international wide coverage. A collection of 5 DVDs and a book, Creatures and Creators, containing drawings by leading artists from the world of animation, were created especially for the occasion. Main developments between 1983 and 1997 American studios come From 1985 onwards, the American studios are increasingly visible at the event, proof that the changes of 1983 are bearing fruit. That year, the public saw nine Oscar-winning films produced by the Disney studios, followed by a tribute to Warner Bros. in 1987 and a visit by a large Disney delegation in 1989. Growth in numbers Between 1983 and 1997, the event experienced double-digit growth, with the number of participants increasing from 900 in 1983 to 4,300 in 1997 and the number of films received increasing from 386 to 1,271. All this was due to a favorable environment, shortened production deadlines, the event's expansion policy and the creation of the Film Market. These factors also led to a significant increase in media coverage, with more than 250 journalists attending the event at the end of the 90s. **Unable to initialize the mail component of Evolution. ** Until 1981, the visiting public consisted mainly of members of film clubs and professionals from the art world. From 1983 onwards, the success of the event, as well as the development of the sector, led to an increase in the number of visiting professionals from the cultural and economic aspects of the sector. In 1993, Cica built for the first time a huge screen outside the Pâquier lawn so that the local public could watch the films and have a real contact with the festival. The coming year In September 1997, the Board voted to make the event annual, for several reasons: increase in productions, difficulty in selection, rejection of too many films, competition with other events, the need for an annual market and a full-time organizing team. Thanks to this decision, Annecy was able to consolidate its position as the leading international animation festival. The 80s: Considering the economic dimension The break in 1982 In 1981, the arrival of a new government interested in a policy of decentralization made it possible for Annecy to take over the event. The CNC was ready to support this initiative, and ASIFA, under pressure from international filmmakers, also wanted to see changes in the festival and its film selection process. The talks officially began between the CNC, Senator Charles Bosson (founding president of the festival) and Pierre Jacquir, president of Jica. In the end, it was decided not to renew the contract with the director, to transfer the administration from Paris to Annecy and to set up an international selection committee. New ambitions In July 1982, Jean-Luc Xiberras was hired to develop these new policies and reconnect with the animation industry, which had been divided after the death of the event's director. The Annecy Film Club also kept its distance and supported Raymond Maillet, who wanted to create another film festival. The 1983 festival was organized in this somewhat controversial climate, taking place in the newly built Bonlieu Cultural Center. The presence of several theaters now made it possible to screen simultaneously in different formats and with different media, something that would have been unthinkable in the old Casino Theater. The original idea of ​​a film market was taking off and thematic conferences were also organized. By opening up to all aspects of animation, culture and technology, Annecy 1983 proved to be a real success. New format of the competition In 1984, Marie Noëlle Provent succeeded Pierre Jacquir as director of Jica. The organizing association became the Centre International des Animations (International Center for Animated Films) and adopted a new status aimed at expanding activities related to animation and promoting the local roots of the activity. From that time on, the development of the animation and audiovisual sectors was taken into account when making decisions. After the inclusion of commissioned films in the competition in 1983, a competition category was also created for television films in 1985. Creating a Film Market Appointed in 1981, the Minister of Culture, Jack Lang, gave a real opportunity to the development of the event by promoting a "new image" and developing an "image plan". Based on this, Cica and the Octet agency jointly organized the first International Animated Film Market (Mifa) in 1985. Jack Lang stated that this market "responded to the need to now take into account the development of the entire industry, especially in terms of the economy". For Cica, the market gave films that appeared in the official selection a better chance to find distributors. The government policies developed in the 80s created a favorable environment for the emergence of French animation and the national economy. The 70s: A decade of contrasts Jica returns The festival returns thanks to the commitment of Charles Bosson, senator and mayor of Annecy, film directors and the film club. Raymond Maillet, Pierre Barbin's right-hand man and an animation fan with an extraordinary knowledge of films and filmmakers, takes over Jica and attendance by professionals and spectators increases until 1975. During this period, regular exhibitions held in the castle museum particularly highlight the heritage aspect. But this attendance curve reverses in 1977, certainly due to the emergence of new events, but also due to the increasingly bitter disputes between Annecy, the Parisian administrative office and film directors. The 60s: Jica comes to Annecy Active film club The presence of an active film club in Savoy, coupled with the close contact of its main members with the team during the festival activities, makes it easier to organize the International Film Festival (Jica) in Annecy, with Pierre Barbin as executive director and André Martin and Michel Boschet as event assistants. The First Jica In 1956, Henri Moret and Georges Gondran, the leaders of the Cinema Club, attended the first festival held in conjunction with the main film festival in Cannes. From the meeting of the two groups, the seeds of an idea were stitched to set up a festival dedicated to animation in Annecy. The town had many advantages due to its proximity to Geneva and the airport, the presence of a theatre, and the large audiences attracted by the work of the Cinema Club, and in 1959 the city council voted to host the event. A Fiercely Competitive Festival In 1960, Annecy hosted the third Jica Festival, which was highly competitive. At the same time, the foundations of the International Association of Animated Films (ASIFA) were being laid and the concept of animation was gradually institutionalized. In 1963, the festival was changed to odd years in order to combat the competition. The following year, an agreement was signed with ASIFA confirming the biennial nature of the Annecy Festival and gradually developing the guidelines for a major event through a rigorous selection process, tributes, retrospectives, publications, exhibitions, special guests and the presence of 25 foreign delegations. A year without a festival At the beginning of 1968, Pierre Barbin was appointed artistic director of the Cinémathèque française, replacing Henri Langlois, and then resigned in April, sparking a major national situation. The following year, the festival did not take place, as the CNC was unable to provide financial support. The state was involved through the Minister of Cultural Affairs, André Malraux, who proposed abandoning the event.

Reading: 50 2024-11-17

Peter Rabbit Museum

Beatrix Potter (1866-1943) is a British writer, illustrator, natural scientist and environmental protection person. Among these many identities, the most widely known is that she integrates multiple animals with British landscapes and rural life, and is rich through her rich.The imagination has completed many world -renowned children's books.At the "Beatrix Potter World" exhibition hall, 23 vivid and charming stories created by her in the beautiful lake area.When you step into the exhibition hall, you can instantly feel the dreamy world as if in this fairy tale book.In our excellent Beatrix Potter restaurant, you can enjoy exquisite homemade cuisine, or to buy exquisite Peter rabbit -related souvenirs in the gift shop in the museum. - From the moment you enter the exhibition hall, it is when the magic unfolds ... Taking a five -minute short film, I will introduce you to the story of Beatrix Potter and her. The release room can accommodate 30 people and provide Mandarin introduction at a thoughtful manner;The famous animals are present in front of you.The interactive screen in the exhibition hall explains every story for you, and there are Chinese descriptions. You are welcome to take pictures in the exhibition hall. Stroll in the indoor entertainment in the story of the Beatrix Potter, visit the forest open space of Jimima Pader Duck and the underground home of Mr. Todd. When there is a award -winning Peter Garden, you can enjoy the essence of this perfectly catching the world of Beatrix Potter, and design the bungalow and garden in the story of Peter Rabbit. Go back to the door to continue to enjoy Mrs. Diki Winkel's kitchen and the pond for the pond of Jeremy Fisherman. Following the rural scenery in inspirational stories, you can feel the virtual world of Beatrix Potter, appreciate these beautiful landscapes that inspire her creative story; the wonderful story of the author's life in the interaction time.

Tag: museum

Reading: 151 2024-11-16

Seeking Knowledge Network

Mizhi.com focuses on downloading original copyright design templates and image materials. Over 2 million PPT templates, posters, PNG materials, backgrounds, illustrations, elements, photographic images, fonts, videos, and audio materials are available for free download by members. 10000+high-quality designers from various industries update 5000+high-quality design resources daily to meet the design material template needs of various industries. Mizhi Network was launched in March 2017 and is a brand under Shanghai Mizhi Network Technology Co., Ltd. It focuses on downloading high-quality and practical design resources. Including advertising design, posters, PNG materials, photographic images, illustration backgrounds, PPT templates, videos, audios, resumes, Excel spreadsheets, etc. In addition to the creativity and aesthetics of the works, Mizhi.com pays more attention to the practicality of the works, conducts in-depth research on the user groups, usage scenarios, audiences, and information that needs to be conveyed by each type of work, and truly meets the real scene needs of users in terms of copywriting, design style, creativity, and composition, achieving immediate download and use, greatly improving the office efficiency of creative designers. Mizhi.com has nearly ten thousand designers and has been continuously producing high-quality image materials. In recent years, Mizhi.com has not forgotten its original intention of serving customers. The number of creative designers using Mizhi.com has reached ten million, which has gained the favor of major designers and corporate personnel, and is poised to become a leader in the design industry. Material classification The materials of Mizhi.com include: design templates, image materials, PPT templates, video materials, office documents, tabloid templates, table templates, sound effects and music, font libraries Advertising Design: Posters, pull-up banners, display boards, flyers, bulletin boards, brochures, invitations, coupons, greeting cards, cultural walls, slogans, policies, business cards, stage backgrounds, billboards, certificates, postcards, menus, folding, covers, program lists, storefronts, beauty posters, arches, exhibition stands, etc E-commerce Design: Main Image, Direct Traffic, Details Page, PC Home Page, Mobile Home Page, Diamond Exhibition, Coupons, Promotion Tags, Store Signs, Store Announcements, etc Image materials: PNG materials, background materials, vector materials, illustrations, elements, artistic fonts, UI design, etc Video materials: AE template, voice and video, PR template, video background, live action short film, sound effects and music Office documents: Work report, graduation defense, company introduction, summary plan, teaching materials, job application resume, etc. PPT/WORLD templates

Reading: 65 2024-11-16

Er Geng Video Platform

Second, it is a well-known domestic platform for original short video content, and is building a blueprint for future ecological development in the content field, forging ahead towards the goal of an excellent Internet content platform. Ergeng was born in November 2014 and releases an original video every night during the "Ergeng" period. In April 2015, Hangzhou Ergeng Network Technology Co., Ltd. was officially registered and established. In three years, ErGeng has developed from a single content product line to an increasingly complete product matrix and urban content ecological layout. It has grown from a local company in Hangzhou to nearly ten branches across the country, and then to ErGeng Industrial Park. It has also developed from a single new media to a comprehensive ecosystem covering media, education, film, cultural and creative industries, and cloud platforms. Among them, Ergeng Media has established a global, urbanized, and vertical product matrix in more than 30 cities nationwide and even overseas. It owns content brands such as Ergeng Video, Gengcheng, Mole Fashion, Taoyin Hall, 1001 Lifestyle, and Genghe Entertainment, which have been viewed by more than 30 billion people worldwide and have won more than 300 professional awards at home and abroad, such as Golden Rooster and Hundred Flowers, Golden Investment Award, etc., receiving high praise from users, industries, and professional institutions. ErGeng Media insists on outputting high-quality content that is close to life and users, guided by mainstream values, and creating warm new integrated media content. So far, Ergeng Media has filmed over 4000 characters living across the country, carrying stories of various fates. In 2018, Er Geng Media made efforts to build video based urban integrated media, starting from the new version of "Geng Hangzhou", and will gradually promote the process of urban integrated media in cities such as Shanghai, Chengdu, Beijing, and Guangzhou, providing users with local content and contributing to urban development. Relying on excellent content production capabilities, a powerful "W+T+S+N+I" network wide communication matrix, and a comprehensive marketing service system, Ergeng Media provides commercial services such as native video customization, KOL live streaming, matrix communication, content marketing, enterprise media, comprehensive services, and media agency. In recent years, it has deeply cooperated with more than 500 well-known domestic and foreign brands such as Alibaba, General Motors, JD.com, L'Oreal, and Unilever. As an important part of the group's strategy, ErGeng Education has been committed to building a "film and television creator ecosystem platform" since 2016, with ErGeng College and the Ten Thousand Creator Plan as the starting points. It integrates high-quality film and television creative talents from all walks of life and universities, establishes a large-scale and high-quality talent pool, work pool, and resource pool, empowers the transformation and upgrading of the government, enterprises, media, film and television institutions in the new era, and also accumulates energy for the innovative development of China's film and television industry. As of now, ErGeng Academy has trained and exported thousands of outstanding talents for ErGeng and even the entire industry. The student works have been viewed hundreds of millions of times, and online shared courses cover nearly 10000 students. In the field of film and television, Er Geng's footsteps never stop. Since its establishment in 2017, Er Geng Film Industry has taken it as its responsibility to develop, invest in, and produce film and television dramas and documentary films, and has expanded its layout to include artist management, film and television technology, entertainment marketing, and other fields. The first original web series of Er Geng Film, "Under the Skin," officially started filming on January 1, 2018. To meet the multidimensional needs of people's spiritual life, ErGeng Group has launched a new cultural and creative business, establishing an interactive cooperation network between content creators and promotion channels, and creating a humanistic education community through the integrated operation of books, courses, exhibitions, and research. Technology driven content production. Ergeng spent 18 months building the Ergeng Cloud Production Platform, covering the entire process of video production, and began developing artificial intelligence technology based on automatic shooting and editing. In 2018, Ergeng Cloud created a one-stop video content technology solution covering video production, operation, service, marketing, and vertical industries, providing a strong backing for Ergeng's overall business ecosystem layout and strong technical support for the transformation and development of the film and television creation field. Er Geng uses short video links for public welfare, shooting a large number of public welfare themed short films every year. He has produced and broadcasted popular public welfare short films such as "Children on the Ladder" and "Happy Children in the Car Washing Shop", shooting nearly 400 public welfare short films, winning more than 100 awards at home and abroad, with a total viewing volume of over 2.5 billion times, and being reposted by central media more than 100 times. This has sparked large-scale discussions in society and promoted the active attention and participation of the government, social institutions, and the public in public welfare. Three major characteristics have been formed: diversified content innovation, matrix based traffic impact, and large-scale relay of love. At the same time, Ergeng has continuously launched various public welfare initiatives, such as "24-hour public welfare action of whole network traffic", launched three public welfare story collection activities of "you have a public welfare story I will shoot" with Tencent Public Welfare, launched the "Dolphin Public Welfare" project with Anhui Satellite TV, and in 2018 Ergeng Public Welfare jointly launched the "Nth Party Public Welfare Communication Alliance" for public welfare with China Foundation for Poverty Alleviation, China Greening Foundation, China Population Welfare Foundation, Nandu Public Welfare Foundation, One Foundation, Shenzhen International Public Welfare Institute, Chinese philanthropists, Public Welfare Times, and WeChat Public Welfare; At the same time as launching the "Warmth Power" column, we gradually realized the project-based nature of public welfare actions, such as "Benefit Up", "We Care About Our Homes with Creativity", "Public Welfare Stories Under the Camera", "I am a Little Director's Home" and a series of public welfare actions, achieving the industry innovation of presenting a three-dimensional ecological development of public welfare. So far, ErGeng Public Welfare has cooperated with dozens of public welfare organizations such as China Foundation for Poverty Alleviation, World Health Organization, World Wildlife Fund WWF, and Shanghai Charity Foundation. The filming topics involve multiple public welfare areas such as rural education, disease relief, cultural protection, animal protection, targeted poverty alleviation, care for vulnerable groups, and celebrity public welfare.

Reading: 148 2024-11-10

Field Library | High Quality Short Film Sharing Platform

Changku is a high-quality short film sharing platform that focuses on sharing various high-quality short films from home and abroad. The platform updates in real-time and provides users with the latest short film works. At the same time, Changku is also a short film creative library, which includes various creative short films to provide inspiration for creators. In addition, the platform regularly holds open day events, inviting creators to communicate face-to-face with audiences. Changku, originating from V Cinema, is a short film creative library under the New Cinema Community. It is a high-quality short film sharing platform in China that shares various high-quality short films from home and abroad in real time. Regular open day events are held to showcase movies on the big screen and provide opportunities for creators and audiences to meet and exchange ideas. Changku (V Movie) enjoys a high brand influence among young creators and film and television enthusiasts in China, radiating over 95% of film and television enthusiasts and professionals in China. Founded in 2012, New Studio Group, based on the short film sharing platform "Field Library", has gathered a group of outstanding young creators through the Internet platform and gradually developed into a leading new media film and television production and distribution platform in China. We have received investments from institutions such as Jiuhe Venture Capital, Alibaba Group, Sequoia Capital, Zhongrui Capital, and Tianxing Capital, with a total financing amount of over 100 million yuan. And in 2015, it was listed on the New Third Board as the first platform based company in the field of new media film and television, becoming the first domestic new media film and television stock. The company has a vision of "being a century old enterprise" and a mission of "outputting valuable content for young people". It has gradually expanded into multiple business brands such as New Film Studio, New Film Studio Short Video, and New Film Studio Marketing around the New Film Studio Creator Community Platform.

Reading: 6361 2024-11-10

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